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Cyrua Klepcy's Reveil Tourbillion Saphire

  • Writer: Elevated Magazines
    Elevated Magazines
  • Sep 29
  • 3 min read
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There are watches that tell the time, and then there are watches that tell a story. The Cyrus Klepcys Vertical Tourbillon Sapphire belongs firmly in the latter camp — a crystalline sculpture on the wrist that dissolves the line between horology and art. With this extraordinary creation, Cyrus Genève celebrates not only its tenth anniversary, but also the freedom of an independent brand willing to defy convention and embrace audacity.


From the first glance, the watch disarms. Its 44-millimeter case is hewn almost entirely from sapphire crystal, a material as unforgiving as it is breathtaking. Polished and shaped into 29 separate components, the case becomes an invisible stage, offering a panoramic view of the mechanical theater within. The effect is ethereal — the movement seems to float in space, suspended in light, every angle exposed to scrutiny and admiration.


At the heart of this transparency beats the hand-wound calibre CYR625, an in-house movement that takes complexity as a point of pride. Its signature is the vertical tourbillon, mounted at a 90-degree angle and framed by a graceful arch of gold. Rotating once per minute, the tourbillon commands attention, a living sculpture that anchors the entire composition.


Time is displayed in a manner as unconventional as the architecture itself: retrograde jumping hours to the left, retrograde minutes sweeping to the right, and seconds tracked directly on the tourbillon cage. A spherical indicator crowns the dial, charting the generous four-day power reserve with a sculptural flourish.


What makes the Sapphire edition so compelling is its marriage of spectacle and intimacy. The transparent case exposes not only the artistry but also the vulnerability of mechanical watchmaking. There is nowhere for flaws to hide — every surface must be finished to perfection, every gear aligned with intent. In this way, the watch feels honest, almost confessional, revealing the raw truth of its construction with a candor that few timepieces dare to embrace.


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Cyrus has also imbued the design with a sense of rhythm and balance that belies its technical daring. The mirrored retrograde scales, the symmetry of the twin barrels, the arch that bisects the dial — these elements are not only functional but poetic. They lend the watch a sense of harmony, ensuring that even amid its complexity, the display feels deliberate and composed. It is this equilibrium between chaos and order that elevates the Klepcys from novelty to masterpiece.


Of course, the watch comes with its share of concessions. With a thickness approaching 20 millimeters, it is not a timepiece that slips easily under a cuff, and its water resistance of 30 meters means it demands careful handling. Yet these so-called limitations feel inconsequential when one considers the purpose of the piece. This is not a tool watch, nor does it aspire to be. It is a creation designed to provoke emotion, to spark conversation, to embody the pure joy of horological excess.


For collectors, the allure lies not only in the mechanics but also in the exclusivity. Produced in vanishingly small numbers, each example is both rare and personal, destined for a wrist that views watchmaking as art rather than accessory. The price, substantial as it is, becomes almost secondary — an inevitable exchange for the opportunity to wear something so unorthodox, so unapologetically bold.


In the landscape of haute horlogerie, where heritage often outweighs experimentation, Cyrus has chosen a different path. The Klepcys Vertical Tourbillon Sapphire is not bound by tradition; it is a celebration of transparency in every sense — open, fearless, and uncompromising. For the collector who sees a watch as more than a timekeeper, who views it as a personal manifesto, this is not merely a watch. It is a revelation in sapphire and gold, a work of mechanical art destined to leave its mark not just on the wrist, but on the imagination.


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