Arielle Raycene - The Hollywood Bombshell Who Is Her Own Powerhouse
- Elevated Magazines
- Dec 13
- 3 min read
Arielle Raycene is not afraid to be smart, confident, or funny. She built her career on the idea that a woman can show strength through beauty, intelligence through presence, and power through performance. Her latest win proves it: her film Growing Daisies premiered at the Chelsea Film Festival on October 19, and the screening was a major success. The response to her lead performance set the tone for what comes next–the team behind the project is now developing Growing Daisies into a full length feature film.
Arielle grew up in the industry. She joined SAG-AFTRA at three years old and learned how often Hollywood tries to place women into a single lane. She never accepted that structure. Her work breaks those limits. It shows a woman who is comfortable being sexy, funny, sharp, emotional, or strategic. These traits exist together, shaped by a point of view rooted in self trust. Arielle finds confidence and validation from within. That internal compass informs every project she takes on.
Her breakout moments arrived long before Bupkis. Her first major wave came with the cult-horror hit Kill Her Goats, which introduced her to genre fans and built a loyal following. She then brought a confident comedic bite to Peacock’s Bupkis with Pete Davidson. Those two roles positioned her as someone who can move between tones with precision. Growing Daisies expands that range. The film follows a woman working to rebuild her sense of self after emotional loss. Arielle plays the character with tight control. She allows vulnerability without sacrificing agency. She creates tension without losing warmth. Her performance resonates because it feels lived in.
Arielle does not treat acting as a single-track path. She has built a presence across digital platforms where audiences reward personality and clarity of voice. She recently starred in an original Alexis Bittar sketch, a vertical short that matches the brand’s surreal visual tone. The sketch reached serious traction. It also revealed something useful. Audiences respond to her humor and her point of view. She is now developing her own comedy sketch series built specifically for vertical platforms. Her goal is simple. She wants to show more sides of herself to more people through consistent, sharp comedic storytelling. She uses humor to claim space and expand what the industry expects from her.
Arielle has also been expanding her creative identity across business and design. She launched her fashion brand SmallTown, which highlights female confidence and individuality through pieces inspired by her Kansas roots. She is also developing an AI driven styling and gift platform. The project merges her interest in technology with her understanding of how personal style shapes identity. She approaches business the same way she approaches acting: she is intentional, curious, and never passive.
Next year is shaping up to be her strongest acting year so far. With several major projects underway, Arielle is preparing for roles that ask more from her and give her room to evolve. She is building toward a slate that positions her across film, television, and digital formats.
Arielle fits into a model that feels current. She represents a generation of women who reject single lane narratives. She can lead a festival project. She can anchor a digital campaign. She can design clothing. She can build a tech platform. She can produce and star in her own short form comedy. She treats these endeavors as connected: each branch supports the others, and the ecosystem works because she builds it with intention and confidence.
Outdoor photography by Jeff Kravitz
